| COLLECTION INFORMATION | TABLE OF CONTENTS |
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Size: 7archive boxes (10.5 linear feet) Acquisition: Gift, 2003 Access: Open for research Processed by: Anne Kendall, 2003 |
Dr. Dan Beaty was born April 25, 1937 in Sapulpa, Oklahoma, son of Oneida Vanderburg and Russell Beaty. He received B.M. and M.M. degrees from the University of Tulsa and a Ph.D. in composition from North Texas State University.
During his 35-year teaching career at Stephen F. Austin State University, Beaty taught piano, theory, composition, music history and electronic music. He created the Stephen F. Austin State University's Department of Music computer laboratory, and was named Regents Professor for research in 1982.
Dr. Beaty taught, composed, lectured and played professionally in the United States, France, Holland, Canada and Indonesia before his retirement from Stephen F. Austin State University in 1999. He died on March 12, 2002, at his home in Nacogdoches.
("Beaty, Dan," Vertical Files: Biography. East Texas Research Center. Ralph W. Steen Library. Stephen F. Austin State University).
Music compositions and lecture notes from his teaching career at Stephen F. Austin State University.
[A-220]
Box 1
Folder 1: "Poems.Edna St. Vincent Millay" printed, bound score. February- 1979. Sketches and notes, handwritten, n. d.
Folder 2: "Poems...Edna St. Vincent Millay" handwritten scores, 1975.
Folder 3: "Three Weeks Songs on Poems by Robert Weeks" master scores by Dan Beaty. "After Argonne," "And Death," "Toyhood" handwritten, 1967.
Folder 4: "Three Weeks Songs on Poems by Robert Weeks" printed scores, n. d.
Folder 5: "Three Weeks Songs on Poems by Robert Weeks" handwritten scores, 1967.
Folder 6: Three poems of Bob Weeks; scores for "The Housebreaker," "The Vortex," and "Love's Apartment" handwritten and printed scores with notes, Spring, 1966.
Folder 7: "You Are the Herdsman of Ev'ning," a Sappho lyric, handwritten, 1978.
Folder 8: "Five War Songs" handwritten score of e. e. cummings' "Tulips and Chimneys," 1970.
Folder 9: Three Dylan Thomas poems; " Lie Still, Sleep Becalmed," "Was There a Time," "Do Not Go Gentle," handwritten scores, ca. 1971.
Folder 10: "Song from An Evening's Love" by John Dryden, set to music by Dan Beaty, handwritten score, notes. n. d.
Folder 11: "O Western Wind" by George (?) and "Wish I Knew a Woman" by D. H. Lawrence, handwritten scores, 1968.
Folder 12: "Deux Poemes des Imagistes" handwritten music scores by Dan Beaty from "Oread" by H. D., "Dawn" by William Carlos Williams and "Awpia" by Ezra Pound, 1982.
Folder 13: "The Love Feast" by W. H. Andes, handwritten score, December, 1979. "Songs on Imagist Poems of Ezra Pound" handwritten score, February, 1977.
Folder 14: "Sonata for Flute and Piano" handwritten masters, 1967. "Flute Sonata" handwritten revisions, 1977.
Folder 15: "Suite for Flute and Piano" handwritten score. September, 1966.
Folder 16: "A Storm in April" (from Richard Wilbur's "The Mind Reader"), printed copies. August, 1991. Notes and sketches, handwritten, n. d. Correspondence, November, 1987.
Folder 17: Miscellaneous handwritten scores, n. d.
Folder 18: "It Is That Time" by Richard Coolidge, typescript of poem dated Feb. 21, 1968, handwritten score by Dan Beaty, n. d. "Once Upon a Time" by Richard Coolidge, typescript of poem, handwritten score by Dan Beaty, note from Coolidge to Beaty, n. d.
Folder 19: "Sappho Songs", unidentified, handwritten, n. d. "The Smile of Remembering You" handwritten lyrics and musical score, n. d.
Folder 20: "Something Naked" by Fred Rodewald handwritten score, copy of "Something Naked" limited printing. 1982. "Of Course" author unknown, n. d. "Chrysalis" by Charley (?) n. d. "Three Satanic Studies" typescript poems and note to Beaty by Richard Coolidge, January 31, 1968.
Folder 21: Lectures. 1990 - Dr. Daniel Beaty, Professor of Music bound and indexed lectures, typescript.
Folder 22: Notes on Schubert, Schumann, and Brahms. Index cards and notepad, handwritten, n. d. Bibliography of books and dissertations, typescript, n. d.
Folder 23: Miscellaneous handwritten scores, most incomplete, untitled, n. d.
Folder 24: Miscellaneous handwritten scores, most incomplete, untitled, n. d.
Folder 25: "Impressions V" handwritten score, miscellaneous notes and untitled lyrics, n. d.
Folder 26:"Oboe and Clarinet Sketch" handwritten score, n. d. "Empty my Heart" handwritten score, n. d. A Theory of Pitch and Pitch Combination, handwritten, n. d. Miscellaneous handwritten sketches, n. d.
Folder 27: Incomplete sketches, handwritten, n. d.
Folder 28: Manuscript book containing incomplete works including: "Scherzo", Dance for Harp", and "Etouffe'". Manuscript book containing untitled work, handwritten, n. d.
Folder 29: Manuscript book labeled "Ab's Pieces" containing various folk songs such as "Fire on the Mountain," "Bile That Cabbage Down," "Old Paint" and "Buffalo Gals," handwritten, n. d.
Folder 30: Dissertation Concerto for Piano and Orchestra, August, 1964, typescript.
Folder 31: "Concerto for Piano and Orchestra" handwritten scores, n. d.
Folder 32: Notes and correspondence pertaining to "Concerto for Piano and Orchestra", typescript, handwritten, n. d.
Folder 33: "Concerto for Piano and Orchestra -First Movement" handwritten, n. d
Folder 34: Dissertation Notes on "Concerto for Piano and Orchestra," handwritten, typescript, n. d.
Box 2
Folder 1: "Lyric Suite for Voices and Orchestra" handwritten score, n. d.
Folder 2: "Suite for Orchestra" handwritten score, Sept. 1959.
Folder 3: "Chamber Concerto" handwritten score, n. d.
Folder 4: Unidentified handwritten score, n. d.
Folder 5: Unidentified handwritten scores, n. d.
Folder 6: "First Movement - Piano Concerto" handwritten score, n. d.
Folder 7: "Piano Concerto - 1st Movement" handwritten score, n. d.
Folder 8: "Piano Concerto - 2nd Movement" handwritten score, n. d.
Folder 9: "Piano Concerto - 3rd Movement" handwritten score, n. d.
Folder 10: "Piano Concerto - 2nd Movement" handwritten score, n. d. Miscellaneous sketches and notes, n. d.
Folder 11: "Piano Concerto - 3rd Movement" instrumental parts, handwritten, n. d.
Folder 12: "East Texas Landscape" slides, n. d.
Folder 13: "East Texas Landscape" notes and handwritten score based on the poem "Azaleas and Dogwoods" by Cyd Adams, n. d. Photocopy of finished score, February, 1981.
Folder 14: "East Texas Landscape" notes and handwritten score based on the poem "Azaleas and Dogwoods" by Cyd Adams, February 1981.
Folder 15: "Concert Piece for Piano, Violin and Orchestra" handwritten, n. d. Notes and short sketch, handwritten, n. d.
Folder 16: "Three Folk Sketches" handwritten, n. d.
Folder 17: Program from University of Texas at San Antonio's Festival of American Art Songs", featuring Dan Beaty, Oct. 1986. Stage setup notes, handwritten, n. d.
Folder 18: "Bacchanalia II for Orchestra" handwritten score, n. d.
Folder 19: "Bacchanalia II" instrumental parts, handwritten, n. d.
Folder 20: "Bacchanalia for Orchestra" instrumental parts, handwritten, n. d.
Folder 21: "Bacchanalia for Orchestra" handwritten score, January, 1963.
Folder 22: "Bacchanalia for Orchestra" handwritten score and photocopies. Performed by Dallas Orchestra, January, 1963.
Folder 23: "Six Canons on Irish Poems" for Ronald Anderson, photocopies, October, 1989
Folder 24: "Poem in October" handwritten scores, Summer 1969.
Folder 25: "Poem in October" instrumental parts, handwritten, photocopies, n. d.
Folder 26: "Poem in October" vocal parts, handwritten, n. d.
Folder 27: "Poem in October" handwritten scores and sketches, n. d.
Folder 28: "Poem in October" handwritten score, n. d.
Folder 29: "Hymn to Venus" by John Dryden, handwritten score, n. d.
Folder 30: "Hymn to Venus", a poem by John Dryden, and "Madrigals" handwritten scores, n. d.
Folder 31: "Hymn to Venus," a poem by John Dryden for Women's Chorus SSAA and piano, handwritten with typed lyrics, October, 1964. Calendar of Events from Sam Houston State Teachers College Department of Music, brochure 1964-65.
Folder 32: "To Night - a Choral Fantasy on a Poem in five Verses by Shelley" handwritten scores, 1962.
Box 3
Folder 1: "Psalm 82" handwritten score, n. d.
Folder 2: "Mass" (sketches) handwritten scores and notes, n. d.
Folder 3: "Five Irish Canons" for Ronald Anderson (SATB), handwritten scores, notes, photocopies, n. d.
Folder 4: Listing of Beaty's works, some dated, handwritten
Folder 5: "Psalm 47" handwritten score. Summer, 1978.
Folder 6: Music, Highland Hills Presbyterian Church handwritten, n. d. Published copies of "Go Tell It on the Mountain" and "God So Loved the World".
Folder 7: "Lord Nelson" by Lawrence Durrell, printed copy, January, 1991.
Folder 8: "Four Emily Dickinson Lyrics" for Voice, Flute and Oboe, photocopy, January, 1991.
Folder 9: "Asa Peavey: Four Haiku" photocopy, November, 1982. Revised version, photocopy, October, 1989.
Folder 10: "Sonata for Flute and Piano" photocopy, revised October, 1989. "Sonata for Flute and Piano" flute part, photocopy, revised October, 1989.
Folder 11: "Five Movements for Horn and Piano" for Wilson Pickering, handwritten score, 1967.
Folder 12: "Burgomasters' Dance" handwritten score, n. d.
Folder 13: "Arabesk" (sic.) for Sax and Tape, master score and sketch, handwritten, photocopy, 1975.
Folder 14: "Cast a Cold Eye.(On learning that W. B. Yeat's grave may be occupied by the bones of some French Paupers)" for Horn and Electronic Tape, photocopy, September, 1988. Handwritten sketches, n.d.
Folder 15: "Cast a Cold Eye." photocopy of score, November, 1988. "Quartet - 2nd Movement" handwritten score, November, 1977. "Pyxidis" handwritten score, January 1977.
Folder 16: "Five Quartets for Trumpets" handwritten scores, January, 1971.
Folder 17: "Panegyrics for Brass Quintet" instrumental parts, handwritten, September, 1969.
Folder 18: "Ionesco Suite" (for Barbara S.) photocopies and computer printouts, September, 1989.
Folder 19: "Suite en Miettes - apre's le journal par Eugene Ionesco" photocopy, September, 1989.
Folder 20: "Fantasy for Solo Violin" computer printout, Spring, 1975, handwritten sketches, n. d. Photocopy, n. d.
Folder 21: "The Love Feast" handwritten score written December, 1979 and revised March, 1983.
Folder 22: Program from concert The Songs of Dan Beaty presented by the Music Faculty of SFASU, November 4, 1999. Copy of Beaty's speech from that concert. Photocopies of selections from concert: "After Argonne," "and Death," "Toyhood" and "Black Birch." Memo to performers from David Jones.
Folder 23: Program: Stephen F. Austin State University Department of Music Presents Twentieth Century Music Ensemble, November 12, 1987. Photocopies of Beaty piece played at concert: "Five Songs on Modern Indonesian Poems."
Folder 24: "Cumuliforms " handwritten score and performance notes, February, 1983.
Folder 25: "Cumuliforms" instrumental parts, edited photocopies, February, 1983.
Folder 26: "Cumuliforms for Flute Choir" for Tom Houston, photocopies, 1983.
Folder 27: "Cumuliforms" instrumental and vocal parts, printed copies. Revised September, 1989.
Folder 28: "Cumuliforms for Flute Choir" photocopies. Revised September, 1989.
Folder 29: "Abracadabra" handwritten score, n. d. Programs: Phi Mu Alpha Presents A Centennial American Music Recital, April 19, 1999. Pi Kappa Lambda Faculty Recital, September 26, 2000.
Folder 30: "War Songs" (Horn, Tenor, Piano) photocopy, January, 1991.
Folder 31: Miscellaneous partial compositions and notes, handwritten, n. d.
Folder 32: "Love Songs" handwritten scores, n. d.
Folder 33: Program for "The Bard III" production by Cyd Adams with handwritten note to Beaty from Adams. Party invitation from Asa and Mary Peavy, November, 1982. Bound poem "Azaleas and Dogwood" by Cyd Adams with handwritten note to Don and Sally Beaty, April, 1981. Poem titled Poem for 15 March by Cyd Adams, typescript with handwritten note to Beaty, 1982.
Folder 34: Prose and poetry in English and French, typescript, handwritten, 1986 - 1990.
Folder 35: "Sonata #1 for Violin and Piano" by Charles Gruber, Movements 1, 2 and 3, photocopies, 1972. Unidentified score, handwritten, n. d.
Folder 36: Recital/Lecture photocopies (French), January, 1990.
Folder 37: Inventory of Beaty's compositions giving dates and values; December 31, 1984, photocopy. Program for "Romanticism: a Festival of 19th Century Music" October 26-November 2, 1981. Program for a Stephen F. Austin State University Department of Music Faculty Recital, January 18, 1991.
Folder 38: "Soliloquy for Clarinet" handwritten score, March,1979.
Folder 39: Research proposal materials: notes and materials relating to proposal titled "Sets as Compositional Determinants in Arnold Schonberg's Early Twelve-tone Compositions," handwritten, photocopies, February, 1990.
Folder 40: Research proposal materials: notes and materials relating to proposal titled "Sets as Compositional Determinants in Arnold Schonberg's Early Twelve-tone Compositions," handwritten, photocopies, February, 1990.
Folder 41: "A Habit of a Laureate (Emily Dickinson) - an Etude for four snare drums and bone chimes" handwritten, November, 1984.
Folder 42: "Four Trumpet Duets" handwritten score, August, 1970.
Folder 43: "Fantasy for Tuba and Piano" handwritten score, n. d.
Folder 44: "Five Sketches for Ann for Clarinet and Piano" by Dan Beaty (with Ann McCutchan) handwritten score. January, 1979, at Welcome Hall.
Folder 45: "Ballet for Jasper Johns" photocopy, September, 1970. Handwritten sketches, n. d.
Folder 46: "Moments (after some sculpture of John Daniel)" handwritten score and instrumental parts for Piano and Piano Tape, May, 1968. Page of poetry, handwritten, n. d. Program from Beaty recital, February 14, 1972. Memo to Beaty from Richard Cass, North Texas State University, n. d.
Folder 47: "Five Dances for Violin and Cello" handwritten score, October, 1977. Revised March, 1983.
Folder 48: "Ostinatos - for Violin and Piano" handwritten score and instrumental part for violin, 1974. Letter from Beaty to George Henderson, Manuscript Archives Committee and Fine Arts Librarian of the Dallas Public Library, October, 1978.
Folder 49: "Ostinatos - for Violin and Piano" photocopy of finished score, February 1974. Handwritten sketches, n. d.
Folder 50: "Ostinatos for Cello and Piano" handwritten score and sketches, December 1974.
Folder 51: "Elegy for Horn and Piano" handwritten sketches, April, 1968.
Box 4
Folder 1: Poetry by David Vancil, The Art School Baby limited edition publication of Vancil's work, 1991. Letter and photo from Vancil to Beaty, 1986. "Four-Tone Pictures" by Wallingford Rieger, n. d.
Folder 2: Miscellaneous notes and sketches, including "The River," "Mama San" and "Baby San," handwritten, typescript, n. d.
Folder 3: Miscellaneous sketches, n. d.
Folder 4: Newspaper clippings, n. d., Edinburgh Bach Choir program, March 1983, miscellaneous notes and sketches, handwritten, photocopies, n. d.
Folder 5: Miscellaneous photocopies and handwritten notes, n. d.
Folder 6: Correspondence from SFASU dated February 15, 1991 through April 15, 1991.
Folder 7: Miscellaneous photocopies and handwritten notes, n. d.
Folder 8: "Dirge - March - Dance for Brass Quintet" handwritten score and instrumental parts, 1967.
Folder 9: "Fanfare for Four Brass Quintets" photocopy of score and instrumental parts, November, 1985.
Folder 10: "Fanfare for Four Brass Quintets" handwritten score, November, 1985.
Folder 11: "5th Sketch for Ann" handwritten, n. d.
Folder 12: "Overture of Charles Ives" lyric poem, vocal parts, handwritten, n. d.
Folder 13: "Fantasy for Cello and Piano" handwritten score, November, 1962
Folder 14: "Adagio for Horn and Piano" and variations, handwritten, n.d. Sketches from "Five Movements for Horn and Piano" handwritten, 1967.
Folder 15: "Fugue for Clarinet, Viola, and Bassoon" handwritten scores, 1963.
Folder 16: "Hommage to Bela Bartok for 10 Saxophones" handwritten scores, November, 1973.
Folder 17: "Movements for Flute, Piano, and Two Tape Recorders" handwritten with notes, n. d.
Folder 18: "Three Carrolls for Sax Quartet" handwritten score, photocopy of transposed version, November 1984. "String Quartet II" handwritten score, n. d.
Folder 19: "Centering for String Quartet" handwritten score, May 1980.
Folder 20: "Centering for String Quartet" photocopies of scores and instrumental parts, handwritten notes, May 1980.
Folder 21: "Centering for String Quartet" handwritten score, instrumental parts, May 1980.
Folder 22: "Centering for String Quartet" sketches and notes, n. d.
Folder 23: "Panygerics for Brass Quintet" printout of score, February 1991. Program from the 34th Festival of Contemporary Music at Louisiana State University School of Music, February 1979.
Folder 24: Fragments of score for violin and piano, miscellaneous notes and sketches, including minutes of a meeting of the Southern Chapter of the Belles Arts et Lettres, handwritten, n. d.
Folder 25: Sketches from Beethoven's "Sonata No. 3" handwritten, n. d.
Folder 26: "Dhghemya - in Memoriam: Merrill Ellis" photocopy, 1982, with handwritten score and notes, n. d.
Folder 27: "Requiem Aeternam" handwritten score, n. d. "Kyrie" handwritten score, n. d. "Dies Irae" handwritten score, n. d.
Folder 28: Survey from the Institute for Studies in American Music, February,1980. "Brass Quintet Piece" handwritten, n. d. The Old Man in the Moonloft by Archibald Macliesh and notes, handwritten, n. d. Unidentified poem, photocopy, n. d. Letter of grant proposal acceptance from Meet the Composer, December, 1982.
Folder 29: Music to accompany Shakespeare's A Midsummer Night's Dream, instrumental parts, photocopies of scenes with notes, n. d.
Folder 30: Music to accompany Shakespeare's A Midsummer Night's Dream, instrumental parts, photocopies of scenes with notes, n. d.
Folder 31: Music to accompany Shakespeare's A Midsummer Night's Dream, instrumental parts, photocopies of scenes with notes, n. d.
Folder 32: Music to accompany Shakespeare's A Midsummer Night's Dream, instrumental parts, photocopies of scenes with notes, n. d.
Folder 33: Music to accompany Shakespeare's A Midsummer Night's Dream, instrumental parts, photocopies of scenes with notes, n. d.
Box 5
Folder 1: Music to accompany Shakespeare's A Midsummer Night's Dream, handwritten score, n. d.
Folder 2: Music to accompany Shakespeare's A Midsummer Night's Dream, handwritten score, n. d.
Folder 3: Music to accompany Shakespeare's A Midsummer Night's Dream, photocopy of score with notes, Spring 1980.
Folder 4: "Vietnam Suite" handwritten score and notes with typescript lyrics, n.d.
Folder 5: "Vietnam Suite" photocopy of score with handwritten notes, n.d.
Folder 6: "Passages" on the poem by Charles Jones, written for Beaty's sons, handwritten score and photocopy with notes, January 1983.
Folder 7: "Whence comes the Follies of the Night - for Tape and Percussion" photocopy of score, notes, September 1983.
Folder 8: "Toccatas" performance notes handwritten, typescript, n. d. Photos and slides, September 1982.
Folder 9: "A Ballet for Molly Bloom" based on James Joyce's Penelope, photocopies, notes n. d.
Folder 10: Notes and photocopies related to "A Ballet for Molly Bloom" n. d.
Folder 11: "A Ballet for Molly Bloom" photocopy of incomplete score, Summer 1980.
Folder 12: "A Drama for Loudspeakers" typescript of performance description and instructions to performers, Spring 1972.
Folder 13: "Chopper Blues" photocopy of score, typescript and handwritten notes, n.d.
Folder 14: Outline of 20th-Century American Music course, typescript, n.d. Newspaper clipping regarding "Irangate," photocopy, 1987. Short sketch for Oboe, handwritten, n. d.
Folder 15: Row Matrix program and article, handwritten, typescript, computer printouts, November 1984.
Folder 16: Photocopies of articles from The Fibonacci Quarterly, 1960-1971, some with handwritten notes.
Folder 17: Music software advertisements, photocopies, and correspondence from Stefen Kostka, University of Texas, November 1987. Cube Row Matrix computer printouts, March 1987. Notes, handwritten, n. d. Faculty announcements.
Folder 18: Papers titled: Proposal for Graduate String Quartet in Residence typescript, n. d. Creating Algorithms for Path Analysis of Row-Generated Thematic Materials Viewed as Products of Multinomial Expansions, Partitions, and Separations on Set Distributive Planes, computer printout w/handwritten notes, n. d. Miscellaneous handwritten notes and computer printouts regarding programming, n. d. Advisory committee meeting minutes concerning music graduate courses, photocopy, January, 1985.
Folder 19: Factors, Combinations and Permutations program and article, computer printouts, December, 1984. One Musician's Use of Combinations and Permutations by Nola J. Reed, photocopy with notes by Beaty, 1983.
Folder 20: Autotimer program by Beaty, computer printouts and notes, December 984.
Folder 21: Modular Primes program by Beaty, computer printouts and notes, December 1984.
Folder 22: Applying Theoretical Mathematics to Music article, computer printouts and notes, December, 1984.
Folder 23: Programs: Normal Form and Hidden Line Removal, computer printouts, n. d.
Folder 24: Basic Atonal Theory computer printouts and handwritten notes, n. d. Row Matrices computer printouts, November 1984.
Folder 25: Schumann I: Photocopies of articles regarding Robert Schumann by various authors with handwritten notes by Beaty, n. d.
Folder 26: Schumann II; photocopies of articles regarding Robert Schumann by various authors with handwritten notes by Beaty, n. d.
Folder 27: Memorandum from Guy Brown to Phil Clutts concerning services of Dan Beaty as an American Music Specialist, typescript carbon, April 1986. Memorandum from Dr. Ronald Anderson, Festival Coordinator to the SFASU Music Department Faculty concerning the romantic Music Festival, photocopy, October 1981. Notes relating to "Carnaval" by Robert Schumann, handwritten, photocopies, typescript, n. d.
Folder 28: Notes relating to "Carnaval" by Robert Schumann, handwritten, photocopies, n. d.
Folder 29: Notes relating to "Carnaval" by Robert Schumann, handwritten, photocopies, transparencies, n. d. Schedule of Arts Events at SFASU including Beaty's lecture recital Romanticism & Schumann's "Carnaval," photocopy, 1981.
Folder 30: Scriabine: Russian Piano Music in Postwar United States Teaching Studios lecture, recital program, notes, and miscellany relating to Alexander Scribine's works. Photocopies, handwritten, mimeographed sheets, ca. 1978 through 1986.
Folder 31: Paper titled Russian Piano Music in Postwar United States Teaching Studios by Dr. Daniel Beaty, photocopy, May 1990.
Folder 32: "Pavan for Jo, in Memoriam: Robert Sidnell" score by Beaty, handwritten, photocopies, computer printouts, December 1985. Listing of some of Beaty's works with dates, typescript, n. d.
Folder 33: "Bacchanal for Two Pianos" handwritten scores and instrumental parts, March, 1963.
Folder 34: "Dances" handwritten score, n. d.
Folder 35: "Five Pieces for Piano" original and photocopy of score, October 1977. Scores and incomplete scores. "7 Bagatelles," "5 Piano Pieces," "Quartet," handwritten, n. d.
Folder 36: "Fugue for Organ" handwritten score, 1963. "Fuga I, II & III" photocopy of score, n. d. Unidentified short sketch, handwritten n. d.
Box 6
Folder 1: "Gigue en miettes" photocopy of score, September 1989.
Folder 2: "Four Dances for Violin and Cello" handwritten scores, October 1977. Sonatina for Violin and Piano" handwritten score, Summer 1962.
Folder 3: "Sonatina for Violin and Piano" handwritten scores, sketches and notes, n. d.
Folder 3: "String Quartet Movement" handwritten scores, Spring 1962. "Suite for Piano, Cello, Violin, Flute and Percussion" handwritten score, n. d.
Folder 4: "Suite for Piano, Cello, Violin, Flute and Percussion" handwritten score, n. d.
Folder 5: "Paramo Spring" handwritten and photocopies of score, March 1979.
Folder 6: "Piece for Solo Violin" handwritten score, summer 1976. "Prelude for Max" handwritten score and sketch, February 1972. "Three Pieces for Brass Quintet" handwritten score, n. d.
Folder 7: Music and notes to accompany Shakespeare's Tempest. Handwritten, photocopies, computer printouts, January 1986.
Folder 8: "Dance 2" for Shakespeare's Tempest; computer printout, n. d.
Folder 9: "Scenes from Adolescence" handwritten score, incomplete, n.d. "Laughing Together" one page of photocopied score, n. d.
Folder 10: Correspondence from April 1970 through December 1973.
Folder 11: Correspondence from January 1974 through October 1978.
Folder 12: "Elementary Intervals Studies" handwritten scores, n. d. "Soliloquy for Pianist" performance notes, typescript, photocopies, handwritten, March 1972.
Folder 13: "A West Texas Winterscape" computer printout of score, January 1987. "Intrata for Organ" handwritten score, Fall 1967
Folder 14: Miscellaneous notes, sketches, and exercises, handwritten, n. d.
Folder 15: "Six Pieces for Two Pianos" handwritten and photocopy of scores, n. d.
Folder 16: "Two Etudes for Piano" handwritten scores, October 1962. "Little Piano Suite" unfinished, handwritten, n. d. "Collapsar"" handwritten score with notes, n. d.
Folder 17: "Theme and Variations for Piano" handwritten score, February 1960. "Variations on a Theme of Arnold Schoenberg" handwritten score, Summer 1967.
Folder 18: "Seven Greek Modal Dances" photocopy of score, September 1977. "Pyxis, Pyxidis" handwritten scores, n. d.
Folder 19: "Seven Bagatelles" handwritten score, photocopy with notes, and photocopy of published work's cover art and contents page, September 1977.
Folder 20: "Piano Piece for Ponder and Robert" colored symbol cards, n. d.
Folder 21: "Woodsprites & Waterbugs" children's pieces. Handwritten, Fall 1971.
Folder 22: "In Memoriam: Richard Vardeman" photocopy of score, October 1977. "Marvelous Marv's Little Music Machine" handwritten score, n. d.
Folder 23: "Far Cries" handwritten and photocopy of score, November 1979.
Folder 24: "Love's Alchemy" by John Donne, handwritten, Summer 1977. "Something Salacious for Sally to Sing" handwritten scores, September 1980. "Five Poems of Emily Dickinson for Voice and Tape" handwritten score, n. d.
Folder 25: "Since There's No Help" by Michael Drayton, handwritten, Fall 1976. "When." by T. J. Kallsen, handwritten score and photocopy of poem, Summer 1978. "Love Sonnet" by T. J. Kallsen, handwritten score, photocopy of poem, and note from Kallsen to Beaty, n. d.
Folder 26: "Three Lyrics" printed scores including "October, November," "If Thou Must Love Me" and "A Sappho Lyric" ca. 1985.
Folder 27: "Three Lyrics" printed scores including "October, November," "If Thou Must Love Me" and "A Sappho Lyric", n. d. "If Thou Must Love Me" handwritten score, May, 1983. "October, November" handwritten scores, November 1979. "A Sappho Lyric" handwritten score, October 1977.
Folder 28: Scores from spiral notebook: "Passacaglia," "Sappho songs" and "Little Octave Study," handwritten, n. d. Notes, handwritten and photocopied, n. d.
Folder 29: "Four Songs on Imagist Poems of D. H. Lawrence" handwritten scores including "Green," "Autumn Rain," "Nothing to Save" and "Trees in the Garden," October 1967.
Folder 30: "A Black Birch in Winter" by Richard Wilbur, handwritten scores, November 1989. Poem translated by Beaty in French, November 1979. Photocopies of score with corrections, November 1979.
Folder 31: "Three Dylan Thomas Poems" handwritten score, n. d. "Hymne" by Charles Bandelaire, handwritten score, July 1983.
Folder 32: "Hymne" by C. Bandelaire handwritten score, n. d. Miscellaneous scales, n. d. Miscellaneous notes on index cards, n. d.
Folder 33: "Five Songs on Modern Indonesian Poems" printed scores, June, 1987.
Folder 34: Correspondence and information relating to Beaty's trip to Indonesia as a visiting professor at Gadjah Mada University and the Institut Seni Indonesia, typescript, photocopies, Summer 1987.
Folder 35: "Three Ditties for a Saucy, Sharp-tongued Soprano and a Glitteringly Fast-fingered Accompanist" handwritten scores, photocopy, December 1977. Notes, handwritten, n. d.
Folder 36: "Imagist Songs" handwritten scores, February 1977. "El Hombre" by William Carlos Williams and "Two Nuances" by Wallace Stevens, handwritten score, February 1977.
Folder 37: "Five Songs on Four Poems of Emily Dickinson, for Voice and Oboe" handwritten scores, notes, and photocopy of score, October, 1981.
Folder 38: "Songs on Four of Paula's Poems" handwritten scores include: "Black Dancer," "Hide Awhile," "Why the Words for Love" and "Fog," November 1969. Copies of poems, typescript, n. d.
Folder 39: "Wintry Light" handwritten score and photocopy with notes, n. d. "Asa Peavey: "Four Haiku" handwritten score and notes, November 1982.
Folder 40: "Four Songs - Emily Dickinson" handwritten scores, March 1983.
Folder 41: "Four Songs - Emily Dickinson" including: "The Juggler of Day," "My River Runs to Thee," "Dawn" and "Wild Nights!" printed booklet, 1983. Copies of revised versions, 1988.
Folder 42: Emily Dickinson songs for voice and oboe: "The Juggler of Day" printed score, September 1990; "'Tis Not That Dying Hurts Us So" handwritten score, n. d., computer printout, June 1985; "The Bustle in a House" printed score, 1985; "A Word is Dead 1 and 2" printed scores, 1985; "I Asked No Other Thing" printed score, 1985.
Folder 43: "I Like to See It Lap the Miles" printed score, 1985; "After Great Pain" handwritten score and computer printout, October 1981; "Empty My Heart, of Thee" computer printout, October 1984; "Heart We Will Forget Him" printed score, 1985; "The Riddle We Can Guess" computer printout, September 1990.
Folder 44: "Six Songs on Five Poems of Emily Dickinson" printed and photocopied scores with notes, October 1972.
Box 7
Folder 1: List of some of Beaty's works with dates, typescript, n. d. Program from the Festival of Texas Composers, featuring Dan Beaty, October, 1985. "Three Songs Set to Three Poems by George Cornell" handwritten, April 1985.
Folder 2: Charles E. Ives's Varied Air and Variations by Dan Beaty, typescript, photocopy with notes, handwritten manuscript notes, n. d.
Folder 3: Les Ensembles dans le Varied Air and Variations de Charles Ives: Une maniere d'analyser son language harmonique et melodique by Dan Beaty, typescript (French), December 1989. Charles Edward Ives (1874-1954): Un Connecticut Yankee a la cour du roi Petaud by Dan Beaty, typescript (French); three copies with notes, September 1989, December 1989, August 1990.
Folder 4: Les Ensembles dans le Varied Air and Variations de Charles Ives: Une maniere d'analyser son language harmonique et melodique by Dan Beaty, typescript (French) final version, May 1990. Charles E. Ives's Varied Airand Variations by Dan Beaty, lecture version; typescript, n. d.
Folder 5: Les Exemples pour Les Ensembles dans le Varied Air and Variationsde Charles Ives by Beaty, printed copies, n. d. Les Ensembles dans le Varied Air and Variations de Charles Ives: Une maniere d'analyser son language harmonique et melodique by Beaty, two typescript copies with notes, March 1990, May 1990. Les termes mathematiques du VAV conference, typescript, n. d.
Folder 6: Charles Edward Ives (1874-1954): Un Connecticut Yankee a la cour du roi Petaud by Dan Beaty, typescript (French); May 1990.
Folder 7: L'Arriere-Plan by Beaty, typescript (French), May 1990. Lecture introduction, typescript, n. d.
Folder 8: Schumann's Hand Injury: A Compositional Determinant? Computer printout of lecture by Beaty and photocopies citing examples of Schumann's work, n. d.
Folder 9: Notes and research relating to Schumann's Hand Injury and mental diseases. Photocopies, handwritten, n. d. Draft of Schumann's Hand Injury with notes, n. d.
Folder 10: Two drafts of Beaty's Schumann's Hand Injury: A Compositional Determinant?, handwritten notes on typescript, one dated December 1985.
Folder 11: Three drafts of Beaty's Schumann's Hand Injury: A Compositional Determinant?, handwritten notes on typescript, n. d.
Folder 12: Draft of Schumann's Hand Injury: A compositional Determinant? By Beaty, typescript, January 1990. Examples for "Schumann's Hand Injury: A Compositional Determinant?" typescript, handwritten, n. d.
Folder 13:Two drafts of The Macrostructure of Schumann's Carnaval with notes, printouts, handwritten, photocopies, n. d.
Folder 14: Two drafts of Beaty's The Macrostructure of Schumann's Carnaval, typescript, January 1990.
Folder 15: Draft of The Macrostructure of Schumann's Carnaval with research notes; printouts, handwritten, photocopies, February 1982. Letter to Dr. Herbert Colvin, School of Music, Baylor University from Dan Beaty regarding Schumann's Carnaval paper, photocopy, February 1982.
Folder 16: Examples for Musical Imagings Paper, transparencies, n. d. Computer printout of primes, November 1985. Photocopy of pages from the Music News from Texas Libraries with an article on Beaty's work on Schumann's "Carnaval", n. d. Copy of The Sonneck Society Newsletter, Spring 1982.
Folder 17: Transcendentalism, Socialism, Music: John Sullivan Dwight and the Brook Farm Community Experiment of 1841-1847 by Beaty, typescript, n. d. Notes regarding Brook Farm, handwritten, n. d. Flyer from Matador Records, 1992.
Folder 18: Brook Farm (supplemental material), typescript, June, 1990. Dwight on Music, typescript, June 1990.
Folder 19: Photocopied pages from various scores with handwritten notes and music riddles, n. d. Photocopies of research material relating to John Sullivan Dwight paper, n. d.
Folder 20: Photocopies of research material relating to John Sullivan Dwight paper with handwritten notes, n. d. Transcendentalism, Socialism, and Music: John Sullivan Dwight and the Brook Farm Community Experiment of 1841-1847 lecture given on the Sesquicentennial of the founding of Brook Farm, typescript, June 1990.
Folder 21: Photocopies of a John Sullivan Dwight biography with handwritten research notes, n. d.
Folder 22: Critique by Beaty of Edward N. Waters' article John Sullivan Dwight, First American Critic of Music. Notes handwritten on back of photocopies, n. d.
Folder 23: Writings of J. S. Dwight, photocopied from Dwight's Journal of Music with Beaty's handwritten notes and critiques, n. d. Legal pad with handwritten notes on Dwight's writings, n. d.
Folder 24: Creating Algorithms for Path Analysis of Row-Generated Thematic Materials Viewed as Products of Multinomial Expansions, Partitions, and Separations on Set Distributive Planes proposal made to IRCAM for furtherance of the study by Beaty, computer printout, n. d. Determining Algorithms for the Effectual Analysis of Twelve-Tone Row and Other Serial Musical Structures., a faculty research proposal by Beaty, typescript, September 1986. Research materials and notes, photocopies, handwritten, n. d.
Folder 25: "TSMT Proceedings: Quinquennial Publication of Abstracts (1978 -1982)" publication from the Texas Society for Music Theory, 1983.
Folder 26: Russian Piano Music draft of speech by Beaty, typescript with notes, n. d. Letter to Dr. Guy Story Brown from Beaty regarding an Eastern Europe Academic Specialist tour. Typescript, May 26, 1990.
Folder 27: Speech titled Research and Creativity. Typescript, n. d.
Folder 28: Drafts and notes for Research and Creativity speech, typescript, handwritten, n. d. Letter to Beaty from Max (?) regarding the Regents Professor Lecture, handwritten, April 6, 1983.
Folder 29: Secular Music of the Puritans of 17th Century America draft of speech, handwritten, n. d. Notes on Maurice Ravel, 20th century composer, handwritten, n. d.
Folder 30: Music in Jacksonville: A Model of Dedication, Cooperation and Respect, two drafts of speech by Beaty with handwritten notes and one final copy, n. d. Qualifications for membership in the Texas Composers Guild, photocopy,1978.
Folder 31: TMST Paper, April 5, 1986; rough drafts and notes on Fibonacci Sequence paper, computer printouts, typescript.
Folder 32: Musical Imagings of Some Well-Known Mathematical Number Sequences by Beaty; three typescript drafts with handwritten notes, n. d.
Folder 33: Musical Imaging of the Fibonacci Sequence by Beaty, computer printout, handwritten notes, n.d.
Folder 34: Fibonacci Sequence programs and article, printouts, handwritten notes, December, 1984.
Folder 35: Papers regarding musical imaging of the Fibonacci Sequence, 1985 - 1990.
Folder 36: Fibonacci miscellany, computer printouts, handwritten notes, diagrams and photocopies, ca. 1986.
Folder 37: Group Theory for Students, typescript, January 1990. Toward the Development of a System for Analyzing Music by the Application of Mathematical Techniques for Group and Path Analysis, typescript, n. d. Photocopies of papers concerning Monodic Passage and Serial Rotation in Stravinsky's Variations by Jody Nagel, n. d.
Folder 38: "Chromatimelodtune" by Charles E. Ives, photocopies of score, handwritten sketches and notes, n. d.
Folder 39: Photocopies of pieces by Schoenberg, Bartok, and Webern with handwritten notes, n. d.
Folder 40: "Funf Klavierstucke" by Schoenberg, photocopy with handwritten notes, n. d.
Folder 41: Letter from James Standley, College of Fine Arts, SFASU, to Beaty, September 8, 1994. Miscellaneous sketches, notes, and photocopies, n. d.
Folder 42: Les ensembles et les formes de la serie du premier morceau dodecaphonique de Arnold Schonberg: La Valse, opus 23, no. 5, by Beaty, draft and final copy, May, 1990.
Folder 43: Les Ensembles et les formes de la serie du premier morceau dodecaphonique deArnold Schonberg: La Valse, opus 23, no. 5 photocopy of lecture by Beaty citing examples of Schoenberg's work, n. d.
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